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                            | Tashan
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                            |  |  Starring : Akshay Kumar, Saif Ali Khan, 
                          Kareena Kapoor, Anil Kapoor
 Director : Vijay Krishna Acharya
 
 
  Three reasons why ‘Tashan’ overcomes your urge to walk 
                          out of the theatre – 1) Akshay Kumar. 2) Funny dialogues. 
                          3) Vishal Shekhar’s music. Mostly set in the dusty towns 
                          of India, ‘Tashan’ tells the story of four people, none 
                          of who trusts the other. Bhaiyaji (Anil Kapoor) has 
                          graduated from being a local goon in the badlands of 
                          UP to a suited-booted don running a thriving extortion 
                          racket. But he hasn’t been able to graduate from his 
                          desi, rustic lingo. He wants to learn English and speak 
                          it like George W Bush does. Make no mistake, Bhaiyyaji 
                          will have his own “axis of evil” to battle. 
 The first pivot in this axis is Pooja Singh (Kareena 
                          Kapoor) who works for Bhaiyyaji but has other plans 
                          cooking up in her devious mind. She helps Bhaiyyaji 
                          find an English tutor whom she enamors and convinces 
                          to swindle a huge amount of money from Bhaiyyaji.
  The English tutor, Jimmy Cliff (Saif Ali Khan), falls 
                          for Pooja’s charm while teaching Bhaiyyaji. To help 
                          her, he robs Bhaiyyaji and finds himself facing the 
                          barrel of Bhaiyyaji’s gun after Pooja runs away with 
                          all the loot.
 Enter Bachchan Pande (Akshay Kumar), a countryside 
                          goon, expert at stealing electricity and recovering 
                          stolen or missing goods. He idolizes Bhaiyaaji and immediately 
                          takes the mission to find Pooja and bring all the loot 
                          back. So Bachchan Pande and Jimmy Cliff hit the road 
                          to find Pooja. Find her they do. But the only problem 
                          is that Pooja has divided the money and hidden it in 
                          different parts of the country. Phew! The remaining 
                          song and dance is about how they retrieve the money. 
                          In doing so they discover that their lives are strangely 
                          linked. ‘Tashan’ is undoubtedly high on style and attitude. 
                          The clothes, the makeover, the oomph quotient – and 
                          not to forget Miss Kapoor’s teeny-weeny bikini – they 
                          all gel together to make the movie eye-candy. The dialogues 
                          are full of funny lines lifted straight from the streets. 
                          But they do not form the part of a gripping, moving, 
                          progressing plot because there is none to speak of in 
                          the first place. The whole hoopla called ‘Tashan’ is 
                          about a long road trip and senseless action scenes. 
                          Imagine Bachchan Pande single-handedly taking on scores 
                          of black-cat commandos or decimating dozens of don’s 
                          men.  Akshay Kumar, however, turns out to be the saviour 
                          of ‘Tashan’. With one hand scratching his crotch and 
                          the other on the trigger of a gun, the actor delights 
                          you with his superb sense for comedy. Keeping an innocently 
                          straight face, Akshay delivers some ‘killer’ one-liners 
                          with such flair that he leaves you in splits. ‘The’ 
                          Anil Kapoor comes second in winning you over. His twisted 
                          English and his rustic manners stand in sharp contrast 
                          to his attire, and Anil portrays well the humour and 
                          the dread of his don. Kareena Kapoor – may God bless 
                          her body – is alright in capturing the nuances of her 
                          character that bluffs without as much as a wink. She 
                          looks a clever fox to a ‘T’. And in the name of action, 
                          all she does is brandish shotguns that she seldom fires. 
 Saif Ali Khan is okay playing a Casanova but his character 
                          seems an appendage to the plot after a while. It is 
                          hard to figure out why Jimmy lugs around Bachchan and 
                          Pooja when he is no longer needed for the progression 
                          of the story. Pooja knows where the loot is hidden. 
                          Bachchan is there to recover it. But what is Jimmy doing? 
                          Flaunting his own tashan?
 
 A few words need to be said about director Vijay Krishna 
                          Acharya (aka Victor) who has written Dhoom and Dhoom 
                          2 for Yashraj Films . No doubt, Victor has got punchiest 
                          of dialogues in right places.
  But he has an utterly flimsy story to begin with. And 
                          Victor doesn’t have a unique style of directing. The 
                          cinematography by Anayanka Bose is a visual treat, and 
                          music by Vishal-Shekhar is superb.A few words need to 
                          be said about director Vijay Krishna Acharya (aka Victor) 
                          who has written Dhoom and Dhoom 2 for Yashraj Films 
                          . No doubt, Victor has got punchiest of dialogues in 
                          right places. But he has an utterly flimsy story to 
                          begin with. And Victor doesn’t have a unique style of 
                          directing. The cinematography by Anayanka Bose is a 
                          visual treat, and music by Vishal-Shekhar is superb. 'Tashan' released on April 25th, 2008  ------------------------------------------------------------------------------------------------------------------  'U Me Aur Hum' 
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