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Film
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Rating: ***
Director: Rohit Shetty.
Cast: Ajay Devgan, Arshad Warsi, Tusshar Kapoor,
Sharman Joshi, Paresh Rawal.
Rohit Shetty’s movie ‘Golmaal’
lives up to its punchline – Fun Unlimited.
 Despite
the absence of a concrete plot, the movie entertains
because the gags and pranks keep flowing in quick succession.
There is hardly any sequence in the film that doesn’t
evoke a chuckle, if not make you laugh. And the credit
for this partly goes to Neeraj Vora , the writer. Once
again, Vora spins a yarn replete with funny oneliners,
silly situations, outlandish characters and hare-brained
villains.
At the centre of the movie’s story are four friends
– Gopal (Ajay Devgan), Madhav (Arshad Warsi),
Laxman (Sharman Joshi) and Lucky (Tusshar Kapoor). Gopal
is the brave, big bully of the four. Madhav is the idler.
Laxman is the timid one, while Lucky is the bumbling
mute.
Idling away, fooling other people, playing pranks and
doing crazy stunts are the pastime of the four friends.
It is this notoriety that eventually gets the quartet
thrown out of their college.
Look out for the sequence when the college dean (Manoj
Joshi) rusticates the four after a fiery, but hilarious,
outburst.
 With
nowhere to go – and with a moneylender on their
trail – the four friends decide to hide in the
bungalow of an old, blind couple (played by Paresh Rawal
and Sushmita Mukherjee).
The old couple’s grandson lives in America. The
four friends enter the bungalow. Laxman, the cowardly
one, hesitatingly agrees to pretend as their grandson,
Sammir. Gopal becomes Sammir’s voice. While muteness
comes naturally to Lucky, Madhav (the wittiest one)
has to undergo the torture of keeping tongue-tied.
To their pleasant surprise, the four friends find a
beautiful girl, Nirali (Rimi Sen), living next door.
Without any exception, all four fall for her. They adopt
the wackiest and wickedest ways to woo her.
Inside the bungalow, the foursome find it increasingly
difficult to keep the farce going. Their college dean
visits the bungalow, and Gopal and Madhav have to impersonate
as the blind couple. Here, the movie takes a tongue-in-cheek
potshot at Sanjay Leela Bhansali’s movie Black
, with Arshad spoofing the blind Rani. The background
score from ‘Black’ adds to hilarity, and
Arshad puts the extra punch with his rather crass oneliner
“Yeh kya hum log black black khel rahe hain.”
 Meanwhile,
a local goon sends his henchmen to the bungalow to find
a hidden treasure chest. Like his recently released
film Phir Hera Pheri , here too Neeraj Vora adds the
angle of ‘race for the diamonds’.
The best thing about ‘Golmaal’ is that
it doesn’t carry the pretension of a roller-coaster
entertainer. Without lingering too much on any one sequence,
the movie’s plot breezes from one situation to
another, with light-hearted humour creating the base
and witty puns filling the edgeways.
Comedy is not something one would expect from Ajay
Devgan. But the actor manages to maintain an easy and
cheerful demeanor throughout the film. Arshad Warsi
provides the most hilarious moments. His comic timing,
his dialogue delivery, the tone in his voice and his
facial expressions all blend together in a unified way
to create the desired impact.
Sharman Joshi ends up looking the most lovable of the
four. There is a natural charm in him, which shows in
every single scene he enacts. Tusshar Kapoor, too, is
likeable, particularly when he bumbles absolute gibberish.
 Rimi
Sen plays a cardboard character, the mandatory heroine
for the heroes.
Paresh Rawal relegates himself admirably against the
jamboree of the four pranksters. Sushmita Mukerhjee
is a delight to watch.
All in all, ‘Golmaal’ turns out to be a
well-rounded entertainer, with an illogical plot and
funny characters enacted convincingly by the actors.
The film has a delectable dose of slapstick and wit.
Full Timepass.
CORPORATE:
But the real strength of the film lies in narrating
a dynamic story. The best of ideas evaporate into thin
air if entrusted to inept, inexperienced storytellers.
Thankfully, Madhur narrates CORPORATE in the most simplistic
fashion so that the common man can decipher the games
corporate entities play to stay at the top. Besides,
CORPORATE is as hard-hitting as CHANDNI BAR or PAGE
3. Beneath a strong storyline is an underlying message
that makes you think.
In a nutshell, CORPORATE is an astounding successor
to Madhur’s earlier achievements!
Aristotle had once said, ‘The secret of business
is to know something that nobody else knows.’
A century later, it could be rephrased as, ‘The
secret of business is to know what the other person
knows, and a little more.’..........more
KRISSH
Is it a bird, it is a plane? No it's Hrithik Roshan!!!
Though there's sense of slackening in earlier portions
of the lengthy narrative, the last lap of this luscious
voyage into comic-book fantasy is undertaken in a spirit
of complete conviction and credibility.
You can't miss the sign-posts. We've seen so many Bollywood
heroes doing heart-in-the-mouth stunts. But never in
an Indian film have we seen a hero look so elegant and
relaxed as he glides over water and mountains to vanquish
the power-crazy villain.
 Though
the scripting in the first-half reveals signs of formulistic
fatigue (scenes where the village-bred Hrithik tries
to spook the globe-trotting journalist Priyanka Chopra
are straight out of a Joy Mukherjee-Asha Parekh musical
from the 1960s) the second half revs up proceeds to
an exceeding high precipitating the kind of action and
thrills that have so far been alien to Hindi cinema.
The scripting in the second-half specially the portions
that show Krissh's father (Hrithik doing a double role)
and the villain reading the future to see their own
impending deaths, are masterstrokes of plotting invention....more
PHIR HERA PHERI
Comedy is the flavor of the season. And sequels are
rare in India. So if a dream merchant decides to make
a sequel to an immensely popular laughathon, you fasten
your seat belts and wait with bated breath for reels
to unfold on the screen.
PHIR HERA PHERI is the sequel to HERA PHERI involving
the famous trio -- Raju [Akshay Kumar], Shyam [Suneil
Shetty] and Baburao [Paresh Rawal]. Only thing, the
film has not been directed by Priyadarshan [who directed
HERA PHERI], but Neeraj Vora, who has penned a number
of Priyadarshan movies............more
FANAA
 The
industry has been thirsting for a good film that works
at the box-office as well. With a majority of Hindi
films sinking faster than Titanic, all hopes are pinned
on the first big release this summer: FANAA. Quite naturally,
the expectations are humungous and there're two vital
reasons for it: Yash Raj and the principal star cast.
A Yash Raj film is special. The illustrious banner has
cemented its position as the Numero Uno production house
by churning out memorable films and successfully transporting
us to a world of make-believe in those three hours,
over the years. ...............more
'36 China Town' - Lacks the punch
 Abbas
Mustan have always been the kings of suspense thrillers,
and have given the audiences films like Soldier, Ajnabee,
Humraaz, Tarzaan and Aitraaz, all of which have been
exciting and have done well commercially. 36 China Town
too is no exception, as it falls into the genre of a
murder mystery. The film is set in Goa, where 36 China
Town is the address of one of the characters.
It is clear now why Subhash Ghai wanted to keep the
climax of ‘36 China Town’ a secret before
the movie’s release. The suspense is such a downer
that it would have earned bad publicity for the movie..............more
Darna Zaroori Hai
 Ram
Gopal Varma is back with Darna Zaroori Hai. DZH is
suppose to be a sequel to Darna Mana Hai.
If Darna Mana Hai was big, the
supposed sequel Darna Zaroori Hai is colossal. Bigger
stars and multiple directors! Here again the movie
has six separate episodes that end up to a common
climax. Interestingly each of the six episodes is
directed by a different director. So each story should
expectedly be divergently different from the other
in terms of the theme and treatment of the individual
directors. Darna Zaroori Hai is the first Hindi film
to be directed by six directors. ..................more
Gangster
 The
question everyone's asking, first: Is Gangster based
on Abu Salem's life? Yes and no. Yes, because he is
a gangster and she is a one-time club dancer (a minor
variation there: Monica Bedi was a one-time starlet).
No, because fiction - in this case at least - is stranger
than the facts you've seen on the news channels.
Gangster, the latest from the Bhatt stable, is definitely
one of the better Bollywood flicks this year. Don't
go by the title, it's not a mafia movie. Although
there is a dose of blood in the script, director Anurag
Basu by and large takes the traditional love triangle
route. ..................more
'Pyare
Mohan' - Mundane
 Pyare
Mohan lacks heart, soul and everything besides having
such a talented director of MASTI and Fardeen Khan who
did a good job in NO ENTRY and ofcourse Boman irani
who is always dependable
Barring a few sequences, the humour in ‘Pyare
Mohan’ is pretty mundane.
Given the movie’s basic story idea, ‘Pyare
Mohan’ could have been an interesting flick. Two
friends – one blind and the other deaf –
go about their lives with fun and masti without letting
their handicap become a weakness. ...............more
'Humko
Deewana Kar Gaye' Mushy
 Akshay
Kumar's films are becoming classier by the month. There's
a certain restrain in his presence here. The way he
conveys the pain and hurt of an impossible love, is
quite surprising for an actor who until recently was
counted among the wooden.
Director Raj Kanwar's recent efforts to polish up his
act have yielded tepid results. Dhai Akshar Prem Ke
and the boxoffice hit Andaz were louder than the lyrical
aspirations of their creator.
Filmmaker Raj Kanwar’s previous movies have bore
an indubitable stamp of melodrama and romantic mush.
HDKG is no exception. ................more
Saawan
 "You'll
die this Friday." No, that isn't a trade pundit
predicting doomsday for this hopelessly loopy and washed-out
take on the vagaries of life. That's just the 'desi'
Nostradamus, played by Salman Khan, predicting sure-death
for the film's pert heroine (Saloni Aswani).
The film's feverish take on the matters of fate is so
hopelessly out of sync with the times, you feel sorry
for the perpetrators of this celluloid atrocity.
Poor Salman. He's given the thankless task of shouldering
this creative carcass. ............more
Shaadi
Se Pehle
 The
title SHAADI SE PEHLE gave an impression of it being
a sex comedy and Mallika's presence just strengthened
the belief. But the motion got wiped off immediately
after the movie starts rollin'. This ain't no sex comedy,
this is an ex-comedy!
Well, read the story first. Ashish Khanna (Akshaye Khanna)
and Rani (Ayesha Takia) are very much in love. Ashish
suffers from hypertension and one day he misunderstands
it for cancer after overhearing his doctor's (Boman
Irani) conversation on the phone. Ashish is devastated
and then embarks to turn nasty so that Rani starts hating
him and does not have to face the suffering of his death.
....................more
Banaras
Starring: Urmila,
Naseeruddin Shah, Dimple Kapadia, Raj Babbar, Ashmit
Patel.
Director: Pankuj Parashar
 Ashmit
Patel has a problem. It's not that he can't act. Director
Pankuj Parashar has taken care of that issue admirably,
skirting his skills and asking him to smile vacantly
at everyone. This is what Bollywood, bred on a diet
of melodramatic histrionics, calls 'subtle.'
No, his problem is peculiar. A shy, silent orphan named
Soham, he's a bit overwhelmed by the unashamedly frank
proposal come his way from the overenthused Shwetambari
(Urmila). The randy little rich girl is thrilled about
Soham's music classes, and singing is clearly not foremost
in her thoughts. But, Soham asks himself, is this right?...................more
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